65daysofstatic – We Were Exploding Anyway [At The 405]


“I’ve long been an admirer of 65daysofstatic’s work; in fact, I’d probably list them amongst my favourite bands. But remaining impartial for this review of course, whilst
We Were Exploding Anyway by no means disappoints, neither does it truly astonish.”
65daysofstatic – We Were Exploding Anyway review at The 405

It’s nice to be vindicated from time to time. We can’t all muddle through life without any idea as to whether our actions are good and correct or dunderheaded and awful. Whether that takes the form of being burned by a hot thing and learning not to put parts of one’s anatomy near such a heat source or having your opinions validated is neither here nor there. Learning from victories and mistakes is how the world works.

So I was pretty pleased when I was vindicated in my opinion of the new 65daysofstatic album We Were Exploding Anyway, by a source I respect and admire no less. Following my own review being published on The 405, I noticed Drowned in Sound had also released theirs. Heading on over to check it out, I quickly realised that not only had we both awarded identical scores to the album (8 out of 10), but also shared key points within the review.

Compare and contrast:

DiS: “[The band’s] status has indubitably waned of late. Maybe this was due to the unexpected tack on last album The Destruction Of Small Ideas, or the even more recent Dance Parties EP, both ravier affairs that seemed to alienate that which had so brilliantly preceded it”
Me: “We Were Exploding Anyway is a more successful meshing of 65dos’ electronic and analogue elements than convoluted and over-intricate previous album The Destruction of Small Ideas. Although the Sheffield four-piece have displaying an increasing penchant for predominantly-electronic tracks in the past (see The Distant and Mechanised Glow of European Dance Parties EP), WWEA is unexpectedly dance-oriented”

DiS: “‘Crash Tactics’ plays on ‘Smack My Bitch Up’-like bass lines […] ‘Weak 04’, also, verges too close into Dance Parties-style Europop behaviour […] ‘Go Complex[‘s]’ opening is reminiscent of the god-awful Hadouken!”
Me: “Some of the album – ‘Crash Tactics’ included – veers alarmingly closely to the nu-rave-punk missteps of The Prodigy’s Invaders Must Die; ‘Go Complex’ and ‘Weak4’ are particularly guilty of lulling into this trap at times”

DiS: “An appearance from recent-tour-mate-slash-renowned-goth-chap Robert Smith on ‘Come To Me’ only furthers those [positive] feelings”
Me: “The Cure’s Robert Smith (zomg!, etc) provides that vocal layer, guesting on the cut-up would-be-club-anthem ‘Come to Me’, which hits a thrilling stride and is representative of We Were Exploding Anyway’s most successful moments”

DiS: “Thinking back to how ‘Fix The Sky A Little’ first moved you, or how ’65 Doesn’t Understand You’ made you throw yourself around with reckless abandon”
Me: “There’s nothing here that makes me want to flail my limbs in so uninhibited a manner as would suggest my motor skills failed to successfully develop during infancy like ‘Retreat! Retreat!’ does” 

DiS: “It’s the final two songs that seem to have the balance of power, finally, correct.”
Me: “‘Debutante’ is starkly yet organically beautiful, segueing into closer ‘Tiger Girl’”

Whether that just means these were obvious talking points is up for debate; I chose to see the glass as half full for a change. For the record I’m neither a positive ‘glass half full’ nor a negative ‘glass half empty’ person. I’m more of an angry/cynical ‘some bastard has stolen half of my drink’ person.

65daysofstatic – We Were Exploding Anyway review at The 405
65daysofstatic on Myspace

65daysofstatic on Last.fm
We Were Exploding Anyway on Spotify

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